Cooper Jacoby
MO.CO
Montpellier
Cooper Jacoby
Sense Unknown
Feb 15, 2025
May 18, 2025

Fitzpatrick Gallery
Paris
Cooper Jacoby
The Living Substrate
Jun 05, 2024
Jul 20, 2024

KAYOKOYUKI
Tokyo
Arthur Marie, Cooper Jacoby
Onsen Confidential
Apr 07, 2024
Apr 21, 2024

High Art
Paris
Cooper Jacoby
Mirror Runs Mouth
Jul 02, 2022
Aug 27, 2022

Hammer Museum
Los Angeles
Cooper Jacoby
Lifes
Feb 16, 2022
May 08, 2022

The Intermission
Piraeus (Greece)
Cooper Jacoby
Sun is bile
Jan 14, 2022
Apr 09, 2022

Central Fine
Miami
Cooper Jacoby
Stragglers
Dec 01, 2019
Jan 09, 2020

High Art
Paris
Cooper Jacoby
Susceptibles
Oct 18, 2018
Dec 01, 2018

Swiss Institute at Luma Westbau
Zürich
Cooper Jacoby
Disgorgers
Nov 18, 2017
Feb 04, 2018

Freedman Fitzpatrick
Los Angeles
Cooper Jacoby
Bait
Apr 30, 2017
Jul 01, 2017

Staatliche Kunsthalle
Baden-Baden
Cooper Jacoby
Matte Wetter
Sep 03, 2016
Oct 09, 2015

Mathew Gallery
Berlin
Cooper Jacoby
Stagnants
Jan 29, 2016
Mar 19, 2016

High Art
Paris
Cooper Jacoby
Deposit
May 29, 2015
Jul 25, 2015

Born 1989 in Princeton, New Jersey. Lives and works between Miami and Paris.
Education
2011BFA, Bard College, Annandale-on-Hudson, NY
Selected Solo Exhibitions
2025 N/A, Seoul (upcoming)
2024 The Living Substrate, Fitzpatrick Gallery, Paris
2022 Mirror Runs Mouth, High Art, Arles
Sun is bile, Fitzpatrick Gallery at The Intermission, Piraeus
2019Stragglers, Central Fine, Miami
2018Susceptibles, High Art, Paris
2017Disgorgers, Swiss Institute at LUMA Westbau, Zurich
Bait, Freedman Fitzpatrick, Los Angeles
2016Matte Wetter, 45cbm, Staatliche Kunsthalle Baden-Baden
Stagnants, Mathew, Berlin
2015Double Room #2 (with Rosa Aiello), KW Institute for Contemporary Art, Berlin
Deposit, High Art, Paris
2013Tradewinds (with Marina Pinsky), CLEARING, Brussels
Selected Group Exhibitions
2025 FW Pt.2, High Art, Paris (upcoming)
Éprouver l’inconnu, MO.CO. Montpellier Contemporain, France
2024 Onsen Confidential, KAYOKOYUKI, Tokyo, in collaboration with Fitzpatrick Gallery, Paris, and Whistle, Seoul.
2023 Solstice, Galerie Crèvecœur, Paris, France
Antéfutur, CAPC, Bordeaux, France
2022 Mirrors, Motors & Blossoming Bodies, Atlantis-Lumière, Marseille
Lifes, Hammer Museum, Los Angeles
2021 Still Time, Fitzpatrick Gallery, Paris
Grand Ménage, CLEARING, Paris
2019 Foncteur d’oubli, Le Plateau-Frac Île-de-France, Paris
Bêtes de scène, Fondation Villa Datris, L‘Isle-sur-la-Sorgue
United Brothers Fukushima Android Series Franchise: Worldwide Premiere, Freedman Fitzpatrick, Paris
2018Kiss in Tears, XYZ Collective at Freedman Fitzpatrick, Los Angeles
2017I‘m Nobody!, High Art, Paris
New York Grids, Mathew NYC, New York
2016No. 6, Freedman Fitzpatrick, Los Angeles
Mo’ tile, Union Pacific, London
Blackboxing, Room East, New York
2015Grand Opening Reception, KM Temporaer at Neuer Aachener
Kunstverein, Aachen
Bare Scan Code, Fused Space, San Francisco
This A Way, White Flag Projects, St. Louis
2014Transatlantic Transparency, Mathew NYC, NY & Mathew, Berlin
The Remains of the Day, Michael Thibault Gallery, Los Angeles
The Stuff That Dreams Are Made Of Too, Clearing, New York
White Flag Library, St. Louis
Between Arrival & Departure, Düsseldorf
2013The Shadow Knows, CLEARING, Brussels
2011Shelf Life, UBS Bard College Exhibition Center, Red Hook, NY
Residencies
2024 Cité internationale des arts, Paris
2018Rupert, Vilnius
Awards and Grants
2021 Oolite Arts, Ellie Award, Miami
2014Kunststiftung Northern Rhine-Westfalia Young Artists Scholarship
2011Bard College Sol Lewitt Studio Art Award
Bibliography
2024 Cooper Jacoby, Contributor, OR4: MACHINA Edition, Odious Rot, November
Paige Silveria, Interview, Autre Magazine, September
Patrick Javault, Cooper Jacoby: The Living Substrate, The Art Newspaper, June
Laura McLean-Ferris, Cooper Jacoby: The Living Substrate, Mousse Magazine, June
2023 Maximiliano Duron, The best booths at the second edition of Art Basel’s Paris…, ARTnews, October
2022 Alex Kitnick, Group Think, ArtForum, May
Athanasios Argianas, Sun is Bile by Cooper Jacoby at The Intermission, Art Review, April
Christopher Knight, Spanish conquistadors and plastic vomit: That’s ‘Lifes’ at UCLA Hammer Museum, Los Angeles Times, March
2018 Alexis Thibault, Cooper Jacoby: couleurs candides pour oeuvres maladies à la galerie High Art, Numéro Magazine, November
Julie Ackermann, Les objets cryptés de Cooper Jacoby, Beaux Arts, November
Ingrid Luquet-Gad, Review: L’entre deux, Les Inrockuptibles Magazine, November
Annie Godfrey Larmon, Cooper Jacoby CURA Magazine, February
2017 Ewa Hess, Die Diebe und die Nacht, Tages Anzieger, November
Thomas Duncan, Revalue, Reanimate, And Recirculate: Coo- per Jacoby, Mousse Magazine, April
Maxwell Williams, 30 Young artists to watch in 2017, Cultured Magazine
2016 Cooper Jacoby, Portfolio: Cooper Jacoby Frieze, October
Mark Blower, Seven Young Artists Not to Miss at Frieze, The New York Times, May
William Kherbek, Review: Cooper Jacoby, Flash Art, March
Rudy, Cooper Jacoby @ Matthew Gallery Berlin Reviwed, AQNB, March
Elisa R. Linn and Lennart Wolff, Critic’s Guide: Berlin, Frieze, February
Arielle Bier, Cooper Jacoby: Matthew Berlin, Artforum, January
2015 Francesca Sonara, Bare Code Scan, Modern Painters, April










Ruminator (play dead), 2023
Polyurethane paint, galvanized steel, stainless steel, silicone, bone, photopolymer, electronics
31 x 74 x 20.5 cm
12 1/4 x 29 1/8 x 8 1/8 in

Ruminator (it is goodbye soon), 2023
Polyurethane paint, galvanized steel, stainless steel, silicone, bone, photopolymer, electronics
31 x 74 x 22.5 cm
12 1/4 x 29 1/8 x 8 7/8 in

Ruminator (mold me into anyone, 2023
Polyurethane paint, galvanized steel, stainless steel, silicone, bone, photopolymer, electronics
35 x 74 x 22 cm
13 3/4 x 29 1/8 x 8 5/8 in

How do I survive? (a steady host), 2021
AI-scripted thermostat, thermochromic pigment, epoxy resin, acrylic, polyimide heaters, powder-coated aluminum, electronics
134.6 x 63.5 x 6.3 cm
53 x 25 x 2 1/2 in

How do I survive? (mirror is engine), 2021
AI-scripted thermostat, thermochromic pigment, epoxy resin, acrylic, polyimide heaters, powder-coated aluminum, electronics
134.6 x 63.5 x 6.3 cm
53 x 25 x 2 1/2 in

How do I survive? (an ultimatum to sink under), 2021
AI-scripted thermostat, thermochromic pigment, epoxy resin, acrylic, polyimide heaters, powder-coated aluminum, electronics
134.6 x 63.5 x 6.3 cm
53 x 25 x 2 1/2 in

Apopheniac (liver), 2021
Polyurethane enamel, steel, fiberglass, silicone, LED array
165 x 92 x 34 cm
65 x 36 1/4 x 13 3/8 in

Apopheniac (introvert), 2021
Polyurethane enamel, steel, fiberglass, silicone, LED array
165 x 92 x 34 cm
65 x 36 1/4 x 13 3/8 in

Apopheniac (infancy), 2021
Polyurethane enamel, steel, fiberglass, silicone, LED array
165 x 92 x 34 cm
65 x 36 1/4 x 13 3/8 in







Bait (Swallowtail), 2017
Stainless steel frame, water transfer print on Cocoon polymer coating, epoxy resin, ultraviolet lights, primer, electrostatically charged stainless steel wire cage, polycarbonate, stainless steel ceiling mount, electrical cord and grip, hardware
16h x 16w x 34d in
40.64h x 40.64w x 86.36d cm

Bait (Paper Kite), 2017
Stainless steel frame, water transfer print on Cocoon polymer coating, epoxy resin, ultraviolet lights, primer, electrostatically charged stainless steel wire cage, polycarbonate, stainless steel ceiling mount, electrical cord and grip, hardware
22.50h x 22.50w x 24.50d in
57.15h x 57.15w x 62.23d cm

Bait (Dehydrator), 2017
Stainless steel frame, water transfer print on Cocoon polymer coating, epoxy resin, ultraviolet lights, primer, electrostatically charged stainless steel wire cage, polycarbonate, stainless steel ceiling mount, electrical cord and grip, hardware
43h x 43w x 30d in
109.22h x 109.22w x 76.20d cm

