Jill Mulleady

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Born 1980 in Montevideo. Lives and works in Los Angeles.


2009Master in Fine Arts, Chelsea College of Arts, London

Selected Solo Exhibitions

2021 Blood Fog, Le Consortium, Dijon (forthcoming)

2020Decline & Glory, Gladstone Gallery, Brussels
We Wither Time into a Coil of Fright, Public Art Installation, Whitney Museum of American Art, New York

2019Fight-or-Flight, Swiss Institute, New York
Erupted Citadel, Statements, Art Basel

2018Mouth-to-Mouth, Galerie Neu, Berlin
Void of Course, Schloss, Oslo
Mother Sucker, Positions, Art Basel Miami Beach

2017Angst vor Angst, Kunsthalle Bern
This Mortal Coil, Freedman Fitzpatrick, Los Angeles

2016This is not a love song, Gaudel De Stampa, Paris

2015Fear, Museo Archeologico Nazionale, Napoli

Selected Group Exhibitions

2021 Divine, Galerie Neu, Berlin

2020Drawings 2020, Gladstone Gallery, New York
The Sewers of Mars, Reena Spaulings, New York
Made in L.A. 2020: a version (curated by Myriam Ben Salah and Lauren Mackler), Hammer Museum, Los Angeles and The Huntington, San Marino
All of Them Witches (organized by Dan Nadel and Laurie Simmons), Jeffrey Deitch, Los Angeles
El oro de los tigres, Air de Paris, Paris

2019May You Live In Interesting Times (curated by Ralph Rugoff), La Biennale di Venezia, Venice
Feel the Sun In Your Mouth, Hirshhorn, Washington D.C.
Emissaries for Things Abandoned by Gods (curated by Elena Filipovic), Casa Luis Baragan - Estancia Femsa, Mexico
Claude Mirrors, Schinkel Pavillon, Berlin
Digital Gothic, CAC - La Synagogue de Delme
Avengers: Someone Left the Cake Out In the Rain, Reena Spaulings, Los Angeles

2018Noise!, Frans Hals Museum, Haarlem
Mad World, Marciano Collection, Los Angeles
A Fleshly School of Poetry, D21 Kunstraum Leipzig
Painting: Now, and Forever, Part III, Greene Naftali Gallery and Matthew Marks Gallery, New York
Spiegelgasse (curated by Gianni Jetzer), Hauser & Wirth, London The Weather Outside, Freedman Fitzpatrick, Paris
Impulse Control, Freedman Fitzpatrick, Paris

2017In Search of Characters..., Galerie Neu, Berlin
Four Rooms, Freedman Fitzpatrick at MD72, Berlin
Wasser (curated by Manda Reuter), Fitzpatrick-Leland House, MAK Center for Art and Architecture, Los Angeles
An Uncanny Likeness, Simon Lee Gallery, New York

2016The Squatter, Guadel de Stampa, Paris
The Eternal Return of the Real, Forde, Geneva
Carpet for a Lord, Supportico Lopez, Berlin
Trumpets, Bianca D’Alessandro, Copenhagen
No. 6, Freedman Fitzpatrick, Los Angeles
Bloody Life, Supportico Lopez in collaboration with Herald St, London Chasser le Dragon, High Art, Paris
Surreal, König Galerie, Berlin
Paramount Ranch, Los Angeles (with Michael Callies & Dépendance)

Awards & Grants

2011Visual arts competition, Art in Perpetuity Trust, London, Prize Winner

Artist Talks & Lectures

2018 - PresentLecturer at UCLA, Painting Department, Los Angeles

2019Symposium—Félix Vallotton: Painter of Disquiet, Metropolitan Museum of Art, New York

2017Figments, Swiss Institute, New York

Public Collections

Hammer Museum, Los Angeles
The Hirschorn Museum | Smithsonian, Washington D.C. Los Angeles County Museum of Art (LACMA), Los Angeles Fondazione Sandretto Re Rebaudengo, Turin
Aishti Foundation, Beirut
Rubell Family Collection, Miami
Institute of Contemporary Art, Miami
San Francisco Museum of Modern Art

Download Press Book PDF


2021 “Jill Mulleady at Gladstone Gallery”, ArtForum, March 2021, review by Camila McHugh

2020“The Whitney debuts public artwork by Jill Mulleady”, artdaily. com, March 2020

2019 Valentina Di Liscia, “The Somber Symbolism of Jill Mulleady”,, December 21, 2019
Interview by Lola Kramer, Kaleidoscope, December 11, 2019
Martha Schwendener, “What to See Right Now in New York Art Galleries”, The New York Times, December 11, 2019
Philomena Epps, “Critics’ Picks: Claude Mirrors: Victor Man, Jill Mulleady, Issy Wood at Schinkel Pavillon”,, September 2019
Suzanne Unrein, “Jill Mulleady: Fight-or-Flight”,, September - December 2019
Matthieu Jacquet, “L’imaginaire et le fantasme en Technicolor prennent le pouvoir”, L’Officiel Art, November 2019
Johanna Fateman, “Goings on About Town: Jill Mulleady at Swiss Institute”, The New Yorker, September 2019
Sarah Cascone, “Editors’ Picks: 20 Things Not to Miss in New York’s Art World This Week”,, September 23, 2019
“The Artsy Vanguard 2019: The Artists to Know Right Now”,, September 16, 2019
“Your Concise New York Art Guide for Fall 2019”,, September 10, 2019
Miguel Cullen, “Why has figurative painting become fashionable again?”, The Spectator, September 7, 2019
Kelly Crow, “New Game Plan for a Smithsonian Showcase”, The Wall Street Journal, August 21, 2019
Cécile Daumas, “Biennale de Venise, au-delà du genre”, Libération, August 27, 2019
Judith Benhamou-Huet, “Art Basel : des prix stratosphériques”, Les Echos, June 13, 2019
Scott Reyburn, “In Basel, Taking the Temperature of the Art World”, The New York Times, June 13, 2019
Pedro Morais, “Jill Mulleady”, Le Quotidien de l’Art, June 11, 2019
“Messe-Tipps: 9 dinge, die Sie auf der Art Base nicht verpassen sollten”, Monopol Magazin für Kunst und Leben, June 2019
Ingrid Luguet-Gad, “La 58ème Biennalle d’art de Venise, une foire comme les autres?”, Les Inrocktuptibles, May 20, 2019
Director’s cut: Ralph Rugoff picks the artists to watch in his 2019 Venice Biennale show, The Art Newspaper, May 3, 2019

2018Andrew Witt, “Critics’ Pick: Jill Mulleady at Galerie Neu”, artforum. com, November 2018
Stephano Pirovano, “In Preparation for Jill Mullleady’s Debut at Galerie Neu”, Conceptual Fine Arts, November 2018
Timotheus Vermeulen, “Jill Mulleady‘s Disembodied Porsche Win- dows Find Their Way Home”, Frieze, August 2018
Aleksi Mannila, “Bak glasset og utenfor boblen, Jill Mulleady gransker psyken gjennom Porsche-vinduer”, Morgenbladet, August 2018
Eddy Frankel, “Review: Spiegelgasse (Mirrory Alley) Review”, Time Out, April 2018

2017Alexander Sury, “Störende und verstörende Amazonen”, Der Bund, May 19, 2017
Maurin Dietrich, “Jill Mulleady”, CURA, June 2017
Ciara Moloney, “Nightmares in Oil: On the Demons in the Paintings of Jill Mulleady”, Flash Art, May 2017
Hana Cohn, “Review: Jill Mulleady at Freedman Fitzpatrick”, Frieze, April 2017
Franklin Melendez, “Jill Mulleady”, Kaleidoscope, Issue 29, Spring 2017

2016Pierre-Alexandre Mateos, “Review: Jill Mulleady at Gaudel de Stampa”, Flash Art, Summer 2016
Andrew Berardini, “The Marriage of Heaven and Hell”, Mousse, Issue 53, April-May 2016


Jill Mulleady, Kunsthalle Bern
Jill Mulleady, Swiss Institute
BloodFog, Midway Contemporary
May You Live In Interesting Times, Venice Biennale 2019
Emissaries for Things Abandoned by Gods, Casa Luis Barragan
Fear, Museo Archeologico Nazionale Napoli
Painting Rituals, Shelter Press, London